Sissys and bros

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Escaping the frame

In ConversationAll my work as a writer and activist over the last fifty years has comprised various attempts at what I call ‘escaping the frame of European colonisation, European story and European ways of telling story’.

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Home is a long way away

Non-fictionThe Australian housing market is a wealth-generating machine, not a home-generating machine. So much is wrong with the current situation. No doubt you see it too; everybody seems to on some level. That’s why we keep hearing about the ‘Australian housing crisis’. I can see it, and I proudly consider myself an old-school capitalist, with a preference for free enterprise, fair competition, private property rights and the chance to make an occasional profit. We now find ourselves with a de facto caste system in Australia: the home owners relative to the home renters. Both groups need homes, but there is a marked wealth division between those collecting passive income on houses they own and those living solely on direct income who are forever chasing a rising market.

Shelf life

Non-fictionEarly in his career, Charles Dickens notably underestimated the reputational risk of library-shelf browsing when he invited the critic George Henry Lewes home for tea. Over steaming cups, Lewes eyed naff triple-decker novels and bland travel books, ‘all obviously the presentation copies from authors and publishers’. He recalled the experience in a waspish elegy published shortly after Dickens’ death: ‘A man’s library expresses much of his hidden life, I did not expect to find a bookworm, nor even a student, in the marvellous “Boz” but nevertheless this collection of books was a shock.’

More than maternity

Non-fictionPrinciple among art-history instances of breastfeeding are paintings, sculptures, tapestries and stained-glass art in churches that relay key Biblical moments of the Virgin Mary nursing the baby Jesus. Should you find yourself in the corridors of the Louvre, in the same halls where kings and princes are eternalised, one singular image of breastfeeding will make its way towards you time and time again: that of the Virgin Mary nursing the baby Jesus, which emerged in the twelfth century and proliferated in full bloom from the fourteenth as her cult of worship grew. In art, the nursing Virgin is called the Madonna Lactans, and she is a sanctity. Most of all, as the Church’s model of maternity, she is silent.