Animal control

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All the things I should’ve given

FictionONE OF THE nice things about having a baby was how the old Italian lady next door changed. ‘It’s weird,’ Abbey said after they brought...

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The great divide

In ConversationIn the ’80s, and maybe the early ’90s, fashion was a political statement just like art was…and real art wasn’t about selling out or succeeding in a mainstream context; it was the opposite. The whole idea was that you didn’t want to conform. Anyone who was trying to make money off your art or helping you make money was corrupt or compromised. The last thing you did as an artist or a writer in the ’80s was self-publicise – it was so naff, it wasn’t done. Street cred was what mattered. And I’ve been watching, with social media and the internet, this 180-degree shift over the last few decades.

Class acts

Non-fictionSocial media has made available to us whole new audiences and vectors for class and lifestyle performance. Where previously your political commitments or what books you were reading might have been topics of conversation with close friends at the pub, now they can be projected to hundreds or thousands of followers. Eating at a restaurant is another example; a previously private and intimately social act can now be a place to be seen, not by the people you’re dining with, or even the other patrons, but by everybody who follows you.

Joker in the pack

IntroductionStatus itself is a little like a riddle: a code to be cracked, a hand in which you can’t see all the cards. Unless you’re Batman, however, the stakes for solving riddles tend to be comfortingly low, whereas the pressures of deciphering status can occupy a far more consequential role in our lives (it’s all fun and games until somebody loses their cultural capital).

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