Featured in
- Published 20240806
- ISBN: 978-1-922212-98-6
- Extent: 216pp
- Paperback, ePUB, PDF
Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author
A fair game for all
GR OnlineWhen a disabled writing student tells me they won’t submit their work for publication because they fear being rejected for not being enough, I always find myself wishing that the publishing industry had the time and empathy to reply more thoroughly to these marginalised voices.
More from this edition
Healthcare is other people
Non-fiction IN 1977 A gastroenterologist named Franz Ingelfinger had cancer, a cancer that originated in his gastroenteric tract. He was perhaps the most informed patient...
The great divide
In ConversationIn the ’80s, and maybe the early ’90s, fashion was a political statement just like art was…and real art wasn’t about selling out or succeeding in a mainstream context; it was the opposite. The whole idea was that you didn’t want to conform. Anyone who was trying to make money off your art or helping you make money was corrupt or compromised. The last thing you did as an artist or a writer in the ’80s was self-publicise – it was so naff, it wasn’t done. Street cred was what mattered. And I’ve been watching, with social media and the internet, this 180-degree shift over the last few decades.
Joker in the pack
IntroductionStatus itself is a little like a riddle: a code to be cracked, a hand in which you can’t see all the cards. Unless you’re Batman, however, the stakes for solving riddles tend to be comfortingly low, whereas the pressures of deciphering status can occupy a far more consequential role in our lives (it’s all fun and games until somebody loses their cultural capital).
