Featured in
- Published 20240206
- ISBN: 978-1-922212-92-4
- Extent: 204pp
- Paperback, ePub, PDF, Kindle compatible

Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author
Certified flesh
Body horror is a filmic genre, inseparable from cinema and related in particular to the revolution in special effects that began in earnest in the 1960s. The emergence of the Canadian director David Cronenberg was catalytic, heralding as it did a squishy synthesis of big ideas and sweaty latex, a cinematic imaginary unlike anything hitherto labelled ‘horror’. In body horror, corporeality itself constitutes the main source of the uncanny.
More from this edition
Which way, Western artist?
Non-fiction Michael Zavros, Bad Dad 2013, oil on canvas, 110 x 150 cm INSIDE YOU THERE are two wolves. Their names are Mark Fisher and Camille...
The fall of the madmen
Non-fictionThe problem with a fear-based workplace – and indeed world – is that caution and compliance are not compatible with creativity. Creativity searches for the things that have never been done before, on which, by definition, there is as yet no data. Scott Nowell argues that the obsession with data has made us lose faith in our own instincts, so it’s not surprising that creativity is not valued the way it once was. And the source of creativity has shifted to the consumers themselves.
Pentax ME Super
PoetryHistory is a heavy handful and a sore neck, but it is safer than memory.